The Town with Matthew Belloni

    Puck founding partner Matthew Belloni takes you inside Hollywood, using exclusive reporting and insight to explain the backstories on everything from Marvel movies to streaming wars. Multiple times each week, Matt will touch on what is getting made and why, who is winning and losing, and what people in show business are actually talking about.

  • Turning Music Rights Into a Bob Dylan Biopic

  • A Holiday Grab Bag: Blake Vs. Baldoni, NFL on Netflix, Disney’s Next CEO, and UFC's Next Home

  • The Multi-Billion-Dollar Plan to Improve Going to the Movies

  • Making Millions on Dead Celebrities in the AI Age

  • The Fate of Warner Bros in 2025, and Iger’s Trump Capitulation

  • Which Movies Actually Popped (and Flopped) on Streaming in 2024?

  • Which Streaming Shows Hit and Bombed in 2024?

  • Winners and Losers of 2024 in Streaming

  • ESPN on Disney+, Cable’s Spinoff Moment, and Who Would Buy CNN?

  • Equal Pay, Equal Stake: A Filmmaking Experiment

  • Does Disney Have Its Movie Mojo Back?

  • ‘Dune’ Director Denis Villeneuve on Plans for Part 3, ‘Star Wars’ Interest, and Art Vs. Commerce

  • The Young Movie Star Draft

  • ‘Anora’ Actress Mikey Madison. Plus, ‘Wicked’ Vs. ‘Gladiator II’!

  • Secrets of the NBA-TNT Divorce Settlement With Bill Simmons

  • Disney’s Streaming Turnaround and Netflix’s Boxing Debut

  • Digital TV Giants: Amazon, Google, and … Roku?

  • Martha Stewart and When a Celeb Disavows Their Doc—With the Director!

  • Netflix’s Greta Gerwig Situation, a Buried Clint Eastwood Movie, and Streaming’s Good Week

  • Winners and Losers of Hollywood Under Trump 2.0

  • How Much Money a Hit TV Show Can Make (and How It’s Changed)

  • The Existential Crisis of the Cable Juggernauts

  • Is There a Right Way to Use AI to Make Movies?

  • FX’s John Landgraf on Resisting the Algorithm, Green-lighting ‘Shogun’, and ‘The Bear’ S3

  • FX Chief John Landgraf on Silicon Valley’s Effect on Hollywood

  • The Post-Pandemic Life of a Hustling Screenwriter

  • Netflix: Unstoppable or Overvalued?

  • The New Era of ‘SNL,’ 50th Plans, and ‘Saturday Night’

  • The Secret Recipe For an Indie Horror Hit

  • The Hollywood Stock Market: Travis Kelce, J.Lo, DC Studios, Prime Video, Todd Phillips, and More!

  • Is Hollywood Screwing Up Male Characters?

  • The 'Joker 2' Mega Flop and a New CEO at Sony Pictures

  • Burning Questions for the Most Uncertain Oscar Race in Years

  • The End of the $20M TV Host Era

  • How Should Movie and TV Stars Be Paid?

  • Lionsgate, Meta, and a Wild Week in AI

  • How to Make Your Own TV Show (and Get Netflix to Buy It)

  • Biggest Takeaways From Netflix’s New Data Dump

  • The War Over the Secret Nine-Hour Prince Documentary

  • The Screenwriter Struggle and How to Break Through

  • The Real Winners and Losers of the Emmys With the ‘Hacks’ Creators!

  • The Dire State of Movie Development

  • Seth Meyers on Late Night’s Future, 'SNL' 50, and Lorne’s Successor

  • Five Burning Hollywood Questions for the Rest of 2024

  • How to Choose the Right Festival to Premiere Your Movie

  • Who's to Blame for the ESPN Blackout?

  • Should Someone Step In to Save Warner Bros. Discovery?

  • Summer Box Office Winners, Losers, and Head-Scratchers

  • The Billionaire Battle for Paramount and the Return of 'Ted Lasso'

  • Are Expensive Showrunner Deals Worth It?

  • The Arms Race Behind Where Movies Shoot

  • A New Setback in Hollywood's Cable Crisis

  • The Legacy of the Infamous Sony Hack, 10 Years Later

  • Kamala’s Hollywood Connections: Do They Help or Hurt?

  • Why Can’t Apple Figure Out Movies?

  • The Biggest Losers of Hollywood’s Cable-pocalypse

  • Disney’s Streaming Profits and Parks Problem

  • Has the Music Industry Peaked?

  • The 2024 Intellectual Property Draft

  • ‘Deadpool & Wolverine’ and Marketing Disney’s First R-Rated Marvel Movie

  • WBD’s Billion-Dollar War on the NBA

  • The High Stakes of Broadcasting the Olympics

  • Is Netflix or YouTube the King in Streaming?

  • Warner's M&A Options and an NBA Rights Scoop

  • The 'Star Wars' Ratings Problem and What To Do Next

  • Does Hollywood Need Deregulation?

  • Betting on Theaters, Embracing Tech, and ‘Wicked’ With Director Jon M. Chu

  • Burning Questions About the Future of Paramount

  • Skydance’s David Ellison on His Plans for Paramount

  • The NFL's $15B Sunday Ticket Problem

  • The Biggest Over- and Underreactions of the First Half of 2024

  • Will the Debate Debacle Revive TV News?

  • How Much Kevin Costner Stands to Win or Lose on ‘Horizon’

  • Is Hollywood Really That Effed Up?

  • Hollywood’s Big Big Tech Problem

  • Sony Bought a Movie Theatre Chain. Plus, Pixar’s Big Comeback

  • Jon Stewart on AI Fears, Election Plans, and ‘Daily Show’ End Date

  • Jon Stewart Talks Apple Split, Corporate Constraints, and Media’s Regression

  • Paramount-Skydance Is Dead. What Now?

  • Will Smith’s Comeback and the Butts-in-Seats Star Ranking

  • The Science of Green-Lighting Movies

  • Is Netflix Fumbling Ads?

  • The 2024 Summer Concert Tour Draft

  • TV Viewers Are Getting Old. Do Advertisers Care?

  • The Memorial Day Box Office Meltdown

  • Everyone Hates Ticketmaster, but Is It a Monopoly?

  • Scarlett Johansson Vs. OpenAI: Does She Have a Case?

  • A War Is Coming Over Hollywood Pay

  • NFL on Netflix, and Big Tech’s TV Upfronts Takeover

  • Latinos See More Movies Than Anyone. Why Is Hollywood Ignoring Them?

  • Disney+ and Max Have Bundled, Who’s Next?

  • Are Producers in Hollywood Nearing Extinction?

  • The Year of Peacock?

  • ‘The Fall Guy’ Swung and Missed … Should We Panic?

  • The 2024 Summer Blockbuster Confidence Scale

  • The Fight for the Last NBA Rights With Bill Simmons

  • A CEO Firing, and the Chaos at Paramount

  • The Rise of Tubi and If “Free” Is Really the Future of Entertainment

  • Aaron Sorkin, Live From D.C.

  • Which Bidder Is Best for Paramount?

  • Netflix’s Backtrack on Transparency

  • Taylor Swift’s Questionable Return to TikTok

  • Hollywood’s Struggle to Reinvent Itself

  • The Best and Worst Media Mergers of the 21st Century

  • Can IMAX Save Movie Theaters?

  • Hollywood vs. Big Tech in the Age of Consolidation

  • Early Winners and Losers of 2024

  • Why Documentaries Are Better and Worse Than Ever With Sheila Nevins

  • A WWE Business Smackdown With Nick Khan

  • The Disney Proxy War: Does Peltz Have a Shot Against Iger?

  • Inside TMZ’s Cozy Relationship With Hollywood

  • The Battle for Attention: Streaming Vs. Social

  • How AI Is Already Transforming Moviemaking

  • Lemon, Tucker, and the Cable News Star Turned Influencer

  • The Juice List: The Most Powerful People in Hollywood

  • ‘The Holdovers’ Plagiarism Claim and How to Protect Your Script

  • Inside Netflix’s Calculated Sports Strategy

  • Oscar Winners and Losers and the Updated Movie Studio Power Rankings

  • Insider Tips to Predict the Oscar Winners

  • The Money and Power Behind the Oscars’ Red Carpet

  • New Film Heads and a New Direction for Netflix and Disney

  • The Awards Season Awards: Which Oscars Campaigns Worked (and Didn’t)

  • Will AI Video Replace Hollywood?

  • Panic Time for Max and Warner Bros. Discovery?

  • The Harsh Data Behind ‘Barbie’ and Taylor Swift’s Success

  • Peacock-Paramount+ Merger Rumors, Questions, and What-Ifs

  • How to Win Best Picture on a Budget, With Neon’s Tom Quinn

  • Hopeful or Hopeless? Takeaways From 2024's Bleak Box Office Beginning

  • Live From Las Vegas: Oscars Pressure, Late-Night TV, and the Vegas Sports Boom With Jimmy Kimmel

  • Did Disney Get Its Magic Back?

  • Will the New All-in-One Sports App Finally Kill Cable?

  • Five Major Music Business Questions After the Grammy's

  • TikTok vs. Universal Music: Why Taylor, Drake and Others Were Yanked

  • The Politics of Studios and Movie Stars

  • A Wild Week at Netflix: Stuber’s Out, WWE Is In, and Subs Are Up

  • A Top Dealmaker’s Media M&A Predictions

  • Can Sundance Save Indie Film? With CEO Joana Vicente

  • The 2024 Box Office Draft

  • The 'SNL' Succession Sweepstakes

  • Peacock’s NFL Debut and the Viability of Streaming-Only Sports

  • The Billionaire Blueprint to Buy Paramount

  • The McAfee Hail Mary and ESPN's Search for Answers

  • Four Burning Hollywood Questions to Kick Off 2024

  • Are the Golden Globes Unkillable?

  • The Young Movie Star Power Rankings

  • The Townies, Part 2: Who Won the Year in Hollywood?

  • The Townies: Hollywood’s Best and Worst of 2023

  • Warner Bros. and Paramount Are Talking. Should They Merge?

  • The Biggest Debacles of 2023: Studio Screwups, Executive Misfires, and Underrated Disasters

  • The Animation Arms Race With Illumination CEO Chris Meledandri

  • Ted Sarandos on Netflix’s New Era of Data Transparency

  • Are Streamers Helping or Hurting the Movie Business?

  • The Companies Most Likely to Be Bought or Sold in 2024

  • The Murky Metrics of Podcast Success

  • The Biggest Streaming Power Moves of 2023

  • Hollywood’s Star-making Problem, with a Top Casting Director

  • Who Will Buy Paramount?

  • Does Big Tech Belong in Hollywood?

  • Unexpected Winners and Losers of the Hollywood Labor Strikes

  • Potential Backfires in the Actors AI Deal

  • Rupert’s Retirement and Fox’s Place in Hollywood

  • Bob Iger’s Year One: Highs, Lows, and Marvel Woes

  • The End of the Actors Strike With Duncan Crabtree-Ireland

  • How the Strike Derailed Oscar Season

  • Why Batman and Everything Else Is Coming to Netflix

  • Should Reality Stars Have a Union? With Bethenny Frankel

  • The Reboot Era and TV’s IP Obsession

  • How Screwed Is the 2024 Movie Calendar?

  • Town Hall: Hasan Minhaj, a SAG Stalemate, and Apple’s Scorsese Bet

  • Marvel’s Post-‘Avengers’ Mismanagement

  • There Is Netflix, and There Is Everyone Else

  • NBA TV Rights and Players Owning Teams With Rich Paul

  • How Long Can the Live Concert Boom Last?

  • The Hollywood Stock Market: Travis Kelce’s Media Career, Netflix With Ads, Mega Music Docs, and More!

  • Taylor Swift, Olivia Rodrigo, and the Fights Over Song Credits

  • Price Hikes and the Streaming Class System

  • Live Sports on Max, and the Inevitable All-In-One App

  • Influencers Don’t Need Hollywood Anymore

  • The Post-Strike State of TV and Movie Writing

  • Lessons From the ‘Must-See TV’ Era, with Warren Littlefield

  • What the Writers Guild Won, With a Negotiator

  • The Writers Strike Is Over. Can We All Be Friends Again?

  • The End of Fox News and the Murdoch Empire

  • From Sports to Hollywood With Casey Wasserman

  • The Strike’s Permanent Damage: Who Will Suffer the Most?

  • Why Can’t Bob Iger Find a Successor?

  • A WWE and UFC Tag Team, With Endeavor’s Mark Shapiro

  • CAA’s New Billionaire Owner and the (Over)Value of Talent Agencies

  • Fall Festival Buzz and the Beginning of Oscar Season With the Head of TIFF

  • Disney’s ESPN Fight and Taylor’s Movie Takeover

  • The Summer Box Office Awards Show

  • The Growing Power of IMAX, With Its CEO

  • The Three Biggest Hold-ups in the Writers Strike

  • Is Apple’s Sports Experiment Working?

  • Justin, Ariana, and the Scooter Braun Mess

  • Predicting Hollywood’s September Surprises

  • How Much Money Does a Hit Movie Really Make (and a Flop Really Lose)?

  • Disney’s ESPN Dilemma: to Sell or Not to Sell?

  • The Doomsday AI Scenario In Hollywood

  • Everyone Running Hollywood Is Old. Does That Matter?

  • Will Anyone Budge on Data Transparency in Hollywood?

  • Checking in on Warner Bros. Discovery and the Max Platform

  • The Barbie Effect on Female Filmmakers

  • Villains, Saviors, and Developments Three Months Into Hollywood’s Shutdown

  • Selling ‘Barbie’: Inside the Marketing Phenomenon

  • How 'Sound of Freedom' Outperformed 'Mission: Impossible'

  • Has Netflix Officially Won the Streaming War?

  • ‘Barbie’ and ‘Oppenheimer's’ Epic Weekend Face-Off

  • Bob Iger’s Fire Sale: The Fate of ESPN, ABC, and Hulu

  • Inside the Actors Strike With Its Top Negotiator

  • BREAKING: Actors Go on Strike

  • The State of R-Rated Comedies, With Evan Goldberg

  • Amazon’s Spending Spree Under Scrutiny

  • Town Hall: Bob Iger’s Legacy, Summer Flops, and Streamer Mega-Mergers

  • Is David Zaslav Misunderstood?

  • What Will Bring Gen Z to Theaters?

  • How Taylor Swift's Eras Tour is Becoming the Most Successful in History

  • The 2023 Executive Draft

  • It’s Time to Break Up Hollywood

  • Is the Superhero Era Finally Ending?

  • Has Pixar Lost its Magic Touch?

  • 'The Flash' and Marketing a Movie With a Controversial Star

  • Netflix Top 10 Lists and the Era of Streamer Manipulation

  • What the Writers Really Fear About AI in Hollywood

  • CNN’s Messy Chris Licht Era Is Over, Now What?

  • Hollywood’s Stealth Winners and Losers of the First Half of 2023

  • Who Is on the Studios' Side in the Writers Strike?

  • Cannes Winners, Losers, Scandals, and Big Takeaways

  • Disney’s Prickly Theme Parks Problem

  • How to Pull Off a Real-Life Mockumentary

  • Netflix Crashes TV’s Ad Party

  • The NBA Team Blowing Up Sports TV

  • Hollywood’s China Problem

  • Bob Iger’s Six-Month Report Card at Disney

  • The Struggle of the Modern TV Writer With Mike Schur

  • The Weird State of Media and Hollywood’s Role in It

  • The 5 Biggest Narratives After Week 1 of the Writers Strike

  • The 2023 Summer Blockbuster Confidence Scale

  • Inside the Writers Strike With a WGA Negotiator

  • The Writers' Strike Deadline Is Here. What Will Happen?

  • 60 Is the New 30: The Revealing Ranking of Biggest Movie Stars

  • Ben Winston Refuses to Declare Late-Night TV Dead

  • Another Executive Sex Scandal? How NBCU Can Pick Up the Pieces

  • One Year After the Crash: Is the New Netflix Working?

  • Inside Fox’s $787M Settlement With Dominion and the Future of Fox News

  • Is ‘Air’ a Hit? Why That's Harder Than Ever to Answer

  • Inside Rupert Murdoch’s Succession Drama

  • How the Fox News Billion-Dollar Lawsuit Will Unfold

  • One Year After the Merger: Is Warner Bros. Discovery Actually Working?

  • Disney vs. DeSantis: Who Will Win

  • From Viral Videos to Hit TV With Dave Burd

  • WWE Sells, Netflix Pulls Back, and the Oscars' Bold Bid on Theaters

  • Has Hollywood Finally Figured Out Video Games?

  • Marvel’s Bad CGI and the Firing of a “Kingmaker”

  • Apple’s Billion-Dollar Bet on Movie Theaters

  • Lionsgate Film Chief Joe Drake on ‘John Wick’ and the Modern Independent Studio

  • BET and the Future of Small Streamers

  • Is the Franchise Model Starting to Fatigue in Hollywood?

  • Matt’s Year One Prediction Report Card

  • Michael B. Jordan and How to Build a Modern Movie Star Career

  • The Oscar Bump: Which Young Stars Won Awards Season?

  • Academy CEO Bill Kramer on the New and Improved (?) Oscars

  • Tips, Trends, and Storylines to Help You Bet on the Oscars

  • The End of Peak TV Is Finally Here

  • The Ploys and Tactics Behind Oscar Campaigning

  • How F--ked Is Fox News?

  • The Perfect Storm for a Writers Strike

  • Watching Your Favorite Team Is About to Get Harder

  • The 2023 Box Office Draft

  • The Companies Most Likely to Be Sold or Acquired in 2023

  • The Soap Opera Fight Over Paramount and CBS

  • Will Bob Iger Sell Hulu or ESPN?

  • How to Write a Hit Rom-Com

  • True Crime Is Murdering Documentaries

  • The Death and “Rebirth” of Showtime

  • DC Is Going Big, but Can It Catch Marvel?

  • The Future of Live Events and Late Night TV With Grammys EP Ben Winston

  • Peacock’s Promising Start to 2023 Might Not Be a Fluke

  • How an Indie Film Becomes an Oscar Winner

  • Is the Sundance Dream Still Alive?

  • How the Shocking Andrea Riseborough Oscar Nomination Happened

  • Inside the Netflix Executive Shake-up

  • Making Movie Stars Younger With AI

  • Should Disney Be Afraid of Nelson Peltz?

  • Around the World With Netflix’s Head of TV

  • ‘M3GAN,' and How to Market a Movie to Young People

  • Vince McMahon’s Return and the WWE’s Most Intriguing Suitors

  • The New Black List and the Original Screenwriting Recession

  • Why Audiences Have Given Up on Awards Movies

  • The Townies Part 2: Hollywood’s Best and Worst of 2022

  • The Townies: Hollywood’s Best and Worst of 2022

  • Why YouTube Landed NFL ‘Sunday Ticket’

  • 2022 Debacles Part 2: The 2023 Hot Seat and Hollywood’s Biggest Loser

  • 2022 Debacles Part 1: Movie Bombs, Executive Misfires, and Secret Disasters

  • The Stranglehold of Streaming, With United Talent Agency CEO Jeremy Zimmer

  • ‘Avatar: The Way of Water’ With Producer Jon Landau

  • The Biggest Flexes of the Year in Hollywood

  • John Skipper on the Rise of the Sports Documentary and Bob Iger’s Big Plans

  • Rob McElhenney on Merging Soccer, Celebrity, and a TV Empire

  • Smoke or Fire? The Most Troubled Hollywood Companies

  • The Streaming Year-End Review: Biggest Hits, Misses, and Questions

  • The Big Business of Christmas Movies

  • Disney’s Five Biggest Dilemmas in the New Bob Iger Era

  • The Taylor Swift Ticketmaster Debacle, Explained

  • A Major Disney Shake-up: Former CEO Bob Iger Is Back

  • Oscars Watch Begins: Front-Runners, Story Lines, and the ‘Top Gun’ Debate

  • The Secrets of Marvel’s Magic

  • The 2022 Directors Draft

  • Town Hall: Apple Buying Disney? 'SNL's Host Problem, and a Ryan Murphy Apology

  • Predicting the Opening Weekend for ‘Black Panther: Wakanda Forever’

  • What a Wall Street Meltdown Means for the Consumer

  • Netflix vs. HBO: The TV Rivalry of the Century

  • Why Are Movies Longer Than Ever?

  • TikTok Killed the Pop Star

  • Ad-Supported Television Was the Past, and It Might Be the Future

  • Can James Gunn Deliver as New Head of the DC Universe?

  • The Riskiest Hollywood Bets for the Rest of 2022

  • Netflix Is Back, Baby!

  • The Looming NBA Rights Bonanza

  • The Best and Worst Deals of the Past 10 Years in Entertainment

  • Endeavor President Mark Shapiro

  • The Unfunny Decline of Comedy Central

  • Tom Cruise and an Explosive Scientology Book

  • Angelina Jolie vs. Brad Pitt Goes Nuclear

  • ‘House of the Dragon’ vs. ‘The Rings of Power,’ Who Is Winning?

  • Can ‘SNL’ Get Back to Making Stars?

  • Hollywood’s (Still) Embarrassing Gender Gap

  • Millions Are Watching the NFL on Amazon Prime. Is This the Future?

  • Town Hall: Star Wars Missteps, Top Gun’s Oscar Potential, and Where Is James Bond?

  • ‘Don’t Worry Darling’ and How Controversy Impacts the Box Office

  • Did a $200M Direct-to-Streaming Movie Ever Make Sense?

  • Is TV Saving or Killing College Football?

  • HBO’s Reassertion, Quinta Brunson’s Breakout, and More Emmy Takeaways

  • A Status Check on Disney and CEO Bob Chapek

  • The Summer Box Office Reckoning

  • The Biggest Threat to YouTube’s World Domination

  • Florence Pugh or Pete Davidson? Buying or Selling Hollywood’s Biggest Stars Under 30, Part 2

  • Chalamet or Holland? Buying or Selling Hollywood’s Biggest Stars Under 30

  • The Troubled Coexistence of Movie Theaters and Streaming

  • Winners and Losers of NBC Axing an Hour of Prime-Time TV

  • MoviePass CEO Stacy Spikes On Reinventing Moviegoing (Again)

  • David Zaslav Doesn’t Care About Your Favorite HBO Shows

  • The 2022 Showrunner Draft

  • The Wackiest CEO in Entertainment

  • The Lawsuit Striking Fear Into Fox News (Plus 'LOTR' Predictions)

  • Should Disney Sell ESPN?

  • Disney+ and the Streaming Price Hike

  • TikTok’s Dominance and Hollywood’s Place in the Creator Economy

  • Springsteen and the Scourge of Concert Ticket Pricing

  • The Great TV Purge Is Coming

  • Why Warner Bros. Just Made the $90M ‘Batgirl’ Movie Disappear

  • Will Smith's Apology and Apple’s Predicament

  • Town Hall: Writers vs. Hollywood, an 'E.T.' Legacy Sequel, and Apple’s Animation Bet

  • The 2022 Intellectual Property Draft

  • How the Metaverse Could Transform the Entertainment Industry

  • Release the Snyder Article

  • Is the Netflix Movie Model Broken?

  • The Uncertain Futures of Netflix, Hulu, and Apple

  • Snubs, Surprises, and Industry Takeaways From the 2022 Emmy Nominations

  • A New Look at Harvey Weinstein and Hollywood’s Enablers

  • The 10 Nicest Stars in Hollywood

  • Predictions for Sun Valley’s Summer Camp for Billionaires

  • CAA and the New Reality of Talent Agencies

  • Producer Jason Blum on Money vs. Creativity

  • The 2022 Half-Year Hollywood Awards

  • You Will Pay More for Disney Parks and You Will Like It

  • How the Pandemic Changed the Way You Consume Entertainment

  • Who Survives at the New CNN?

  • The ‘Stranger Things’ vs. ‘Obi-Wan Kenobi’ Value War

  • What the Heck Is Going On at Disney?

  • NBA Finals Ratings and ESPN's Future in Sports Television

  • ‘Everything Everywhere All at Once’ and A24’s Mystique

  • Town Hall: Tom Cruise’s Pay Day, ‘LOTR’ Buzz, and HBO’s Secrets

  • Johnny Depp Wins: Inside the Verdict and the Fallout

  • ‘Top Gun: Maverick’: Fluke or Future of the Summer Box Office?

  • The Summer Blockbuster Confidence Scale

  • Can Lorne Michaels Reinvent ‘SNL’ One Last Time?

  • The Hollywood Stock Market: Netflix, Star Wars, Harry Styles, Pete Davidson, and More!

  • What Happened to Comedy in Hollywood?

  • Amber Heard Testifies: How Did It Go?

  • You May Not Be Watching, but Broadcast TV Still Makes Billions

  • Disney vs. Netflix: The Deathmatch of Streaming

  • Does Marvel Have a Quality Problem?

  • The 2022 Streaming Service Draft

  • A Scientology Star in the Spotlight

  • Did Johnny Depp Really Lose ‘Pirates’ Because of Amber’s Op-Ed?

  • Have We Finally Reached the End of Peak TV?

  • Does Jerry West Have a Case Against HBO’s ‘Winning Time’?

  • The Legal Loophole That Could Strip Marvel of Its Superheroes

  • The New Netflix (With Ads!) and How to Get People Back In Theaters

  • Why the Late Night Talk Show Is Dead, and ‘SNL’ After Lorne

  • Netflix’s Crash and the Company's Future in Streaming

  • Coachella’s Dominance, and Why You Are Paying More Than Ever for Concert Tickets

  • Is Rupert Murdoch the Most Dangerous Man in the World?

  • Film Producer Neal Moritz on Video Games as Movies, the 'Fast & Furious' Franchise, and Theaters vs. Streaming

  • ‘Ambulance’ and the Death of Original Action Movies, Plus Apple TV+’s MLB Debut

  • Why Was Bruce Willis Still Working?

  • WarnerMedia CEO Jason Kilar on HBO Max, What’s Next for Streaming, and His Resignation

  • Winners and Losers of the 2022 Grammys

  • Will Smith Resigns From the Academy

  • The 2022 Grammy Awards and the State of the Music Industry

  • WWE President Nick Khan

  • The Oscars Aftermath

  • Live From Inside the Oscars: The Will Smith-Chris Rock Slap

  • How to Gamble on the Oscars

  • Do the Oscars Need to Be Saved?

  • The NFL Sunday Ticket Bidding War and How Peyton and LeBron Went Hollywood

  • Do Stars Still Need Agents? Plus, Iger vs. Chapek, and Oscar Drama Begins!

  • Amazon Closes Deal to Acquire MGM. Now What?

  • Netflix’s Password Crackdown and Their Struggle to Make Movies People Care About

  • 'The Batman' Ticket Upcharge and the Future of Moviegoing

  • Introducing ‘The Town With Matthew Belloni’

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