BABE: PIG IN THE CITY — George Miller makes one for the grownups

SORCERER — William Friedkin’s heart of darkness

SKINAMARINK — The Internet’s own haunted house

HOUSE — The Japanese psychedelic masterpiece

THE AMITYVILLE HORROR — America’s most haunted home

THE DEVIL’S BACKBONE — Guillermo del Toro’s creative resurrection

POLTERGEIST — The first suburban haunted house

THE SUBSTANCE — Coralie Fargeat rips beauty standards to gory shreds

Riz Ahmed channels Yann Mounir Demange in DAMMI

The Flipsides of Cannes — Featuring Wim Wenders and more

PERFECT DAYS — Wim Wenders cures his post-pandemic blues

HIGH & LOW - JOHN GALLIANO — Kevin Macdonald tackles fashion and forgiveness

Sofia Coppola — PRISCILLA, from source to soundtrack

Sofia Coppola — from VIRGIN SUICIDES to PRISCILLA

DO THE RIGHT THING — Spike Lee and Ruth E. Carter find color in the dark

QUADROPHENIA — The mod, mod world of ’64, ’79 and beyond

BREATHLESS — Jean Seberg & Jean-Luc Godard dress down film and fashion

HOW TO HAVE SEX — Molly Manning Walker just wants to talk

Ken Loach Calls for Solidarity in THE OLD OAK

Sebastián Silva on ROTTING IN THE SUN — "Everyone and everything in it *will* get trashed"

PASSAGES — Ira Sachs's "endless circle of desire"

Cannes Conversations — Ildiko Enyedi on short cinema

Cannes Conversations — Filipa Reis on privilege and empowerment

Cannes Conversations — Joanna Arnow watches (wryly) from a distance

Cannes Conversations — With OMEN, Baloji clears his name

Cannes Conversations — Elene Naveriani on their stealth punk heroine

Cannes Conversations — Weston Razooli lets his kids go wild

Cannes Conversations — Monia Chokri on THE NATURE OF LOVE

Cannes Conversations — Kleber Mendonça Filho watches movie palaces disappear

Cannes Conversations — Wim Wenders on ANSELM

FERRIS BUELLER to WOLF OF WALL STREET — Cinema's top music supervisors break down their greatest hits

BLACKBOARD JUNGLE — Hollywood's first rumble with rock ‘n’ roll

CHUNGKING EXPRESS — Wong Kar Wai puts "Dreams" on the menu

CLOSE — Lukas Dhont's Quietly Powerful Coming-of-Age Movie

THE HARDER THEY COME — Reggae catches fire on film

DONNIE DARKO — Richard Kelly makes the ultimate ‘80s mixtape

2001: A SPACE ODYSSEY — Stanley Kubrick finds heavenly music on vinyl

With TÁR, Todd Field makes a power play

In AFTERSUN, Charlotte Wells lets Queen and Bowie tell the story

Park Chan-wook finds DECISION TO LEAVE in “The Mist”

Zanzibar's Majestic, the last cinema standing (feat. Nick Broomfield)

Being Like Water: Tilda Swinton and Apichatpong Weerasethakul on MEMORIA

The Dryden Theatre's Nitrate Picture Show explodes our view of movie history

London's Scala Cinema becomes "A country club for lunatics" (feat. Mary Harron and Peter Strickland)

HAROLD AND MAUDE find new life at The Westgate

The Elgin and EL TOPO plunge NYC into "Midnite Madness"

The Cinémathèque Française launches two revolutions

In LINGUI, Mahamat-Saleh Haroun honors women's "invisible resistance"

Joachim Trier sympathizes with THE WORST PERSON IN THE WORLD

In Andrea Arnold’s COW, audiences find themselves

China builds itself a DREAM FACTORY

From Mexico with love: The Soviet Union embraces YESENIA

LIVING IN BONDAGE fast-forwards the Nigerian film industry

Brazil dances the (metaphorical) samba with DONA FLOR AND HER TWO HUSBANDS

India's 25-year (and counting) marriage to DDLJ

Paul Verhoeven’s TURKISH DELIGHT ignites the Netherlands

MUBI Podcast: Season One Trailer